By Ardee NAPOLITANO
HAILLICOURT, France (Reuters) – Forget hiking or skiing, the latest trend on the spoil heaps that litter northern France’s deindustrialised landscape is wine-growing, made possible by a warming climate.
The closure of mines in the region’s coal-basin, which stretches dozens of miles west from the Belgian border, exacerbated the area’s plunge into economic decline in the late 20th century.
Nowadays, the heaps are central to sustainable tourism initiatives and a symbol of the rebirth of the Pas-de-Calais region.
Vines were planted a decade ago and in 2018 the first bottles of “Charbonnay” wine – a word play on the famous chardonnay grape variety and “charbon”, the French for coal – were sold, mainly to locals and small stores.
With this year’s heat – less searing in the north than in southern France – production should triple versus the 10 hectolitres produced in 2021, even if it remains a tiny drop compared with the 45.6 million hectolitres expected nationally.
Wine-maker Olivier Pucek said the climate in a part of France considered by many French to be dreary and desolate had held back vine growing, but that things were changing.
“The summer heat has become more compatible with working the vineyard,” he told Reuters on a spoil heap in Haillicourt, an hour’s drive south of the port city of Calais as people harvested the grapes by hand.
Spoil heaps, also called “boney piles” or “slag heaps”, are towering piles of waste material removed during mining.
A second vineyard has been planted in a nearby town and in neighbouring Belgium, near the town of Charleroi, a vineyard planted in 2019 should yield its first bottles next year.
A hectolitre is the equivalent of 100 litres, or 133 standard wine bottles.
Ten years ago, UNESCO awarded the mining basin World Heritage status symbolising Europe’s industrial heritage.
“I’m sure it would please the people who worked in the mines that we can produce wine – and good wine at that – on these spoil tips,” said Henri Jammet, a second winemaker.
(Reporting by Ardee Napolitano; Writing by Benoit Van Overstraeten; Editing by Richard Lough and Ed Osmond)
